When the ancient inhabitants of
Horseshoe Canyon first began to decorate the redrock walls with images
millennia ago, I wonder if anyone told them that they were wasting their time.
The time and energy needed to
grind pigments, or to carve outlines into the desert varnish with a stone must have been a serious commitment considering that there would
have been animals to hunt and crops that demanded cultivation.
Whatever lives that the early people were able to build for themselves in that
canyon could have been uncertain, under threat from a surprise drought or an
act of aggression from neighbors. Nonetheless, the ancient artists continued to
chip and paint the rock, leaving images of people, animals and spirits.
When I looked at those images on a
hike through that canyon in the Utah desert thousands of years later, the stone left me with more
questions about the people who marked it than they answered.
Clearly, animals were important to
those people. Representation of game animals may have been a way that they
tried to ensure a successful hunt in the future, or a way to document past
triumphs.
Without a written language, the
people within the canyon were limited in the level of detail that they could
convey. They would have to make the pigments and brushes. They would have to re-imagine what the animals looked like and be responsible for creating their own arrangements that worked with the space that they had.
Contrast that to our current, connected world where anything can be
typed out, digitized, uploaded and made accessible to everyone. The only
barrier between the thought and the creation is the time it takes to tap the
touch screen a few times — trap the image with the camera and then post it.
Making paint or carving out an
idea in the desert rock was much
slower work that would require commitment. No doubt, those early artists would
choose their panels carefully and think hard about what they wanted to depict.
Even with those efforts to express
themselves, we are far removed from any complete understanding of those panels
now. We can only take guesses about what the artists had intended. Should it be
any different after we have spent our time on earth? What will all our Facebook
posts, internet memes, videos and blogs tell future generations? No doubt, they
will fade into obscurity as well, though I doubt I am making headlines for
saying it.
I can only imagine that in their
time, those ancient wall posts must have sparked pride in a people, perhaps a
sense of identity. If even a small portion of the artists’ intentions had come
across to me as the visitor in the canyon, then that artwork had preserved more
of who the people were than any well-
cultivated field or successful hunt. What
marks do we leave of ourselves today that people will best remember us by?
The fact that so much of the
images’ meaning will likely be lost forever, tells me that we should try to
make ourselves understood in the moment — future generations will look to
others to speak for them, not us. If we are lucky, a few of them may look back
at us and wonder. If people in the present hear our voices, they will have a
better idea of what we mean.
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